Brown,' as well as the entirety of the Wailers’ 1970 album “ Soul Rebels.” Perry, born Rainford Hugh Perry on March 20, 1936, produced and co-wrote the Bob Marley classic “Punky Reggae Party,” and produced early Marley and Wailers jams including ' Keep on Moving,' ' Duppy Conqueror' and ' Mr. Lee 'Scratch' Perry in front of Black Ark studios. It all sprang from Kingston, Jamaica,” electronic music producer and essayist Jace Clayton, who performs as DJ/rupture, wrote in his book “Uproot: Travels in 21st-Century Music and Digital Culture.” Sound-system operators as hero-librarian-curators. Subtracting elements from a ‘completed’ song to make a ghostly new one.

Seemingly duct-taped together, his gear generated stoned-immaculate sounds and ideas that served as the building blocks of remix culture. Listing his many influential productions for Max Romeo, the Congos, Augustus Pablo, the Meditations and hundreds more might help quantify his contributions, but Perry's influence extends far beyond reggae and dub.Īmong the most innovative producers of the analog recording era, Perry built a ragtag four-track studio centered on a TEAC reel-to-reel, a Soundcraft mixing board, an Echoplex delay box and a Mu-Tron phaser. Although half a decade prior, George Martin and the Beatles had made grand, studio-built experiments in world-class rooms, Perry in the early 1970s constructed technological workarounds that multiplied the potential at a fraction of the price.

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